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December 31, 2025

Cambridge Spy

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1 Homepage Slider Point of View Laura

Star Power By Laura J. Oliver

September 29, 2024 by Laura J. Oliver
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In elementary school, friends would complain, “My father would ground me for a week if I did that!” or they’d explain dolefully through a screen door, “Can’t play. Restricted.”

And I’d wander home envious.

I rarely had a reason to start a sentence with “father” and was only punished in somewhat rare bursts of corporal application. In part because I wasn’t a troublemaker but also because no one was paying attention– although once my exasperated mother tied me to my sister because we were fighting so much. Encouraging a truce through forced proximity.

The primary discipline was expectation. That you would get good grades, put your bike away, and dry the dishes was assumed. But expectation is a passive restraint. So, lacking parental rules, I tried to discipline myself. To be my own parent. I made up chore lists and gave myself stars if I completed them, which I rarely did.

Okay, never did.

I also put things on the list that I would do anyway, like feed the cat. (Miss you, Mitty.) But I could check these off and reward myself with one of those five-point gold stars teachers put on math quizzes. There is a lot of security, it turns out, in structure.

My two older sisters knew our parents were having a tough time in their marriage so one day, they suggested we help them out by taking over disciplining ourselves. I liked this idea because (I did not see where this was going) and I craved discipline. But when your siblings are 5 and 8 years older, you are not on the disciplinary committee, as super fun as that sounds. You are the defendant.

I was told to crawl into the upstairs storage closet under the eaves, and the dismantled side of my old crib was propped over the opening. I think my crime was having left the water running in the bathroom. Things happen! You get distracted!

It was stifling in the closet as I stared out between the bars, and I was afraid there was a wasp’s nest in the dark back recesses where the eave sloped down. This house had, after all, recently been a barn, and our bedrooms were in what had been the hayloft—but I was denied parole. My sisters were affable jailers, of course, and I could have simply moved the bars and walked out, but that was not the reality we had agreed to or the one I live by now.

This was to become, I believe, a paradigm for my life and maybe yours. All my imprisonments are self-imposed. The unrelenting remorse. The tenderizing grief. The constant comparing of myself and my life to others and finding myself lacking. I sign up for workshops online that I think will heal this habit from sites like “Wisdom for Life” — classes like “Healing Trauma with Compassion” and “The Rewiring Your Brain World Summit.”  Then I forget to attend or can’t spare the time. Or let’s face it, I opt out for the more imperative “How the Cosmos Will End.”

Some things are hard to believe, but keep an open mind because, as George Bernard Shaw said, “All great truths start as blasphemies.” Or, I’d add, as experiences. A gifted Intuitive once shared quite matter of factly that the spirit of my long-dead father had entered the room. He confided things about our relationship no one could know and apologized for his role in my emptiness. He had grown in spirit, was working hard at becoming a better …dad, human being, higher consciousness… whatever it is we become after we die.

Which I suspect is just us minus matter.

Since I couldn’t see him, I said, “Does Dad have any signs he uses to communicate with me?”  I was hoping for direct access. A way to feel my dad’s presence without third-party interpretation.

“Gold stars,” was the reply. “He says he communicates with you with five-point gold stars.”  I was disappointed. There is so much ambient light in my town, I barely see the stars and I hadn’t seen any in recent memory.

The next morning, after my quiet time, where I try to be available for a connection with  love’s energy, my attention was drawn to a small cabinet my father had made as a school woodworking project when he was 14.

It is about a foot high, with a hinged-lid compartment on top that opens above two doors and a drawer below that. It hung on the wall of the breakfast room at Barnstead. Mom kept letters and stamps in it, and for a long time it housed a couple of arrowheads we’d found along the barn’s foundation. I’d looked in that cabinet many times with the idea I might paint it someday. But this day, on impulse, I opened it again.

Scattered inside were three 5-point gold stars. The kind a child might receive for a job well done. The kind you might give yourself for having done the best you could.

But that is not the end of this story. The end is this: I tucked the earliest photo I have of my father and me upright in the cabinet behind the little doors and stowed it on the highest shelf of my closet. He’s a 35-year-old father of three in that picture, and I’m a six-month-old baby, listening attentively in my white bassinet as he sings to me and plays his guitar.

The other day, I was feeling down. I went into my closet to find my running shoes, thinking, sure would be nice to feel like I wasn’t in this alone. And I looked up on the highest shelf, where the little cabinet with its photograph has been stowed for years, and the doors were wide open, the photograph just where I’d left it.

And Dad was singing to me.

 

Laura J. Oliver is an award-winning developmental book editor and writing coach, who has taught writing at the University of Maryland and St. John’s College. She is the author of The Story Within (Penguin Random House). Co-creator of The Writing Intensive at St. John’s College, she is the recipient of a Maryland State Arts Council Individual Artist Award in Fiction, an Anne Arundel County Arts Council Literary Arts Award winner, a two-time Glimmer Train Short Fiction finalist, and her work has been nominated for a Pushcart Prize. Her website can be found here.

 

 

 

 

 

 

 

 

 

 

 

 

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider, Laura

Only You By Laura J. Oliver

September 15, 2024 by Laura J. Oliver
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During summers at Barnstead—before I turned 12 and my parents sold it — we were a lanky tribe of kids at loose ends. No one had a basketball hoop, or a blacktop; no one took tennis, sailing, or swimming lessons. Instead, we played competitive games like Pompom-Pullaway, Red Rover, and Spud. We had the rope swing over Scott’s ravine and bikes. Freeze tag and swinging statues. Hide and Seek.

Honestly, we were the original characters in Lord of the Flies including a personalized and quite popular game of which I am not proud called, “Let’s run away from Georgie.” He was the youngest among us and built like a very short Michelin man. When his younger brother Billy was born, Billy should have become the object of our ostracism, but because he was a baby, running away from him was about as entertaining as running from a backpack or flowerpot. Sorry George. I understand you live in Florida now and have a beautiful daughter.

Because it was cooler, we spent most of our days making forts in the woods–a village of residences that were outlines dug in the soft dirt and pine needles, cleared of debris, then reinforced with logs or branches, of course leaving a “door” to walk through. Forts were built adjacent to each other, so we had a kind of village— Lord of the Flies became Habit for Humanity.

As kids you agree to abide by the same reality so there was no rude stepping over or walking through walls to enter someone’s fort. Enter through the front door only. That was the rule. The kid rule. There were others like, “Never ask for candy at someone else’s house.” Oh, and “If you see Georgie, run for it.”

But what made a fort a home was the acquisition of seats–planks of wood left over from construction projects and thrown out in the woodpile. Inviting someone into your fort and offering them a seat was high-rent-district protocol.

When war broke out in the woods between different factions of fort builders (boys against girls) or the settlers on one side of the pasture versus the other, finding that your seats had been stolen was worse than finding that your walls had been scuttled. But I was more than a homeowner. I had a humanitarian project.

I made shoes from giant tulip tree leaves. I poked the stem of one through the top of another and then tied them around hot bare feet. My shoes were as soft as silk though they only came in one color. They also only lasted for several steps unless one employed a kind of flat-footed zombie walk that didn’t put a lot of stress on the stem ties. I’m demonstrating this, you just can’t see me.

Like not walking through walls, in some ways we agree to the same rules of reality now. We agree that we are born into this world, age and die. We agree that green is green and yellow is yellow, although we really don’t know if what we are seeing is exactly the same. We share a tendency to go through life two by two when we can, in whatever manner we can. We agree that a birth is a miracle, that all dogs go to heaven (where like the good boys and good girls that they were, they’re waiting to greet us even now). We agree to stop at red lights and wear seatbelts.

We used to agree that the sun revolved around the earth, that the universe was static, eternal, and there was only one. Now we agree the universe is expanding and at an accelerating rate. We are asking each other whether there may not be many universes, whether in fact, we live in a multiverse. The idea is in part, that there are an infinite number of versions of you—there is the you that became who you are, and a you that dropped out of school and became a rockstar, a you that never married, a you that lives on a planet where it rains diamonds.

But I hope this is not true. I really want there to be only one universe. One beautiful, eternal, evolving, galaxy-studded universe, where kids still make forts in the woods, where forests still stand lush and alive with birdsong, where raindrops are not made of jewels but do create tiny crowns when they splash into the river—a universe in which the big bang was the first beat in the heart of God.

And there is only one you.

 

Laura J. Oliver is an award-winning developmental book editor and writing coach, who has taught writing at the University of Maryland and St. John’s College. She is the author of The Story Within (Penguin Random House). Co-creator of The Writing Intensive at St. John’s College, she is the recipient of a Maryland State Arts Council Individual Artist Award in Fiction, an Anne Arundel County Arts Council Literary Arts Award winner, a two-time Glimmer Train Short Fiction finalist, and her work has been nominated for a Pushcart Prize. Her website can be found here.

 

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider, 3 Top Story, Archives, Laura

You’ve Got Mail By Laura J. Oliver

September 1, 2024 by Laura J. Oliver
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Dear Reader,

I often tell students searching for voice to write a letter to someone they trust, dead or alive, real or imagined. “Tell that person what has happened to you,” I suggest. “Cut off the salutation, and you have a story.” And we read together the famous letter written by Sullivan Ballou.

Sullivan Ballou was a member of the Rhode Island militia, a Civil War soldier who wrote a letter to his young wife Sarah from Camp Clark, Washington, DC on July 14, 1861. The word was out, he said, that the troops would be moving soon, so he was acting on impulse to write to her while he could.

Surrounded by 2,000 sleeping soldiers, he needed his wife to know that he loved her more than life itself and their two baby boys, Edgar and William, as well, yet he bore for his country a love equal in magnitude, his commitment to defend the union, a need he could not deny.

“I know how strongly American Civilization now leans on the triumph of the Government and how great a debt we owe to those who went before us through the blood and sufferings of the Revolution. And I am willing — perfectly willing — to lay down all my joys in this life, to help maintain this Government, and to pay that debt,” he wrote.

He tells Sarah then that his intuition is that he will survive the coming battle unharmed but asks:

“If I do not, my dear Sarah, never forget how much I love you, and when my last breath escapes me on the battlefield, it will whisper your name. Forgive my many faults and the many pains I have caused you. How thoughtless and foolish I have often times been! How gladly would I wash out with my tears every little spot upon your happiness …

“But O Sarah! If the dead can come back to this earth and flit unseen around those they loved, I shall always be near you; in the gladdest days and in the darkest nights … always, always, and if there be a soft breeze upon your cheek, it shall be my breath, as the cool air fans your throbbing temple, it shall be my spirit passing by.”

Sullivan Ballou was killed a week later at the First Battle of Bull Run. He was 32, Sarah was 24. The letter was never mailed but was found when his body was recovered. Sarah lived to be 80 and never remarried.

Prescience? Intuition? Coincidence? Who can say?

When I was 13, I received the only letter ever written to me by my grandfather and, as far as I know, the only letter he ever wrote individually to any of his grandchildren. Granddad was a gentle soul with a very round face, wire-rim glasses, blue eyes, and a soft-spoken demeanor.

My grandparents lived on the Florida Gulf Coast, and I had visited them twice. They had also spent a summer with us in Maryland when my parents were building our house on the river. Grandad was a skilled carpenter, and his talents were useful to his son. But my grandfather and I were kindred spirits.

He was an astronomer—constructing a 100-power, 6-foot-long telescope to study the heavens. It took him a year just to grind the lens. He was a paleontologist who collected fossils that predated the age of dinosaurs and a numismatist, with a coin collection hidden in a secret closet that housed the oldest penny in the US (1783), a widow’s mite (a coin from the time of Christ), and a three-legged buffalo nickel. I study astronomy, search for fossils, go on archeological digs, and still possess a portion of his coin collection.

But on October 20 of my 13th year, I received this letter. “Hello, Laura, my dear. You may be surprised to hear from me. I don’t write very much. I’m lonesome to see you,” he began. He said his spelling was so poor that he seldom wrote anything at all and that if the letter were flawless when I received it, I’d know my schoolteacher grandmother had gotten hold of it before it was mailed. It was almost flawless but “lonesome” was spelled “lonesume.” I am grateful to know that it arrived untouched.

“I wish you could come visit for a whole six weeks next summer,” he wrote, “but if not, we may come to Maryland to see you.”

He enclosed $6 as “early Christmas” so I could buy myself a present “to Laura from Grandad.” And he signed the letter simply, “I love you very much.”

I love you very much. Some instinct made me save this letter, but I’m only coming to appreciate the significance of the timing now.

Because Grandad was as prescient as Sullivan Ballou. There was no visit the following summer, and I never saw him again. He was killed six weeks later, on December 16th , walking on the side of the road, by a hit-and-run driver.

How is it that the only letter he would ever write to a grandchild, and one that specifically told me I was loved, was sent weeks before he died in a freak accident no one could have predicted? And that although I was a child, I would keep those words safe for half a century?

We are a letter-saving family. I have correspondence written in 1848 between my great-great-grandfather and his son as they emigrated west, letters exchanged every day of World War II between my parents, letters from my mother in college back to the farm, letters of apology, acknowledgment, and connection. As my mother wrote in a letter she slipped into my suitcase the night I left for college, “It has been my experience that this kind of love never dies.”

I plan to watch over those I love from wherever I am in this life or the next. When a grandchild finds a faded letter and marvels at the familial love that preceded him in the march of generations, may it be gentle evidence of my spirit passing by. A breath, a breeze, a blessing.

So write your love down, dear reader, and save what you receive. Every letter is a love letter, if not for this generation, then for those to come.

Love,

Laura

Laura J. Oliver is an award-winning developmental book editor and writing coach, who has taught writing at the University of Maryland and St. John’s College. She is the author of The Story Within (Penguin Random House). Co-creator of The Writing Intensive at St. John’s College, she is the recipient of a Maryland State Arts Council Individual Artist Award in Fiction, an Anne Arundel County Arts Council Literary Arts Award winner, a two-time Glimmer Train Short Fiction finalist, and her work has been nominated for a Pushcart Prize. Her website can be found here.

 

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider, Archives, Laura

A Note from the Universe By Laura J. Oliver

August 18, 2024 by Laura J. Oliver
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Five hours of jet lag and no air conditioning at the English Airbnb we rented in Woking last week may be why I have death on my mind, but I want you to know that I’m planning to attend my own funeral, so you better come. I have to admit that I’m hoping I’ll find out then things none of us can know now– that I was loved by more people than I might have predicted (four), that my work reached more readers than I was aware of, that my holding others’ writings in sacred trust as an editor was meaningful to them not because they eventually published but because their truths were witnessed, mirrored, and made beautiful by collaboration.

I want to find all this out during my celebration of life while “It’s Okay” by the Piano Guys plays over a sophisticated sound system. I want the mourners who came in sad, to start to smile because, well, it’s okay. Oh, and I want only super-flattering photos of me placed around the reception. Or a video montage.

I’ve come downstairs just now because it is lunchtime on a Monday, the only day I have to write this column each week and to run some story starts past Mr. Oliver. I will offer my usual disclaimer that I don’t know if any of these ideas are going anywhere. My creative self is 8 years old at this moment and scuffing the toe of one worn white sneaker on the oak hardwood, afraid to look up, full of hope.

He sees I’m carrying my laptop, knows it’s story time, so he picks up the scrappy rescue terrier, aims her in my direction, and says in Leah-the-dog’s voice, “So this is what my mama calls spit-balling.” And now I’m laughing too hard to read because that’s exactly what I’m doing. Spit-balling. Throwing thoughts against the wall. Plus, Leah is always funny.

And here’s what I’ve got so far, I tell him.

At my funeral I’d like someone to use the Rumi quote on my website, “From the moment I heard my first story, I started looking for you.” The quote moves me profoundly. I’m not sure why.

 Because the you, is you?

Because it is the illusive goodness in myself?

Because the search is for God?

I don’t know, but my daughter Audra, smart and preternaturally competent, whom I’m assuming will attend this event, corrected me when she read it. “Mom!” she admonished. “The quote on your website is wrong!”

I was horrified. How wrong was it?

“It’s ‘From the moment I heard my first LOVE story, I started looking for you.’”

Every story is a love story, Rumi. I thought you knew this. Because every story is an attempt to connect with another.

I read for a minute, then look at Mr. Oliver to see if any of these story-starts have landed. He’s nodding, but not saying anything, so I continue. Leah sits next to me on the blue and white window seat in the kitchen overlooking the pink hydrangeas by the garden wall keeping an eye out for squirrels.

Since the pandemic, a high school reunion, and the writing of this column, I’ve had the miraculous good fortune to rediscover friends from my childhood, adolescence, college, and a far-flung past—from elementary school when we lived on Eagle Hill, from high school when we lived in North Shore, from our time in New Zealand, and it has all been a miracle of grounding.

When you grow up with parents who split up when you were very young, you are left without a firm foundation on which to stand. It may be hard to imagine, but you never see your mother and father standing in the same room again. You exist as something that came from an amorphous space between them but not of them as a couple because you have so little experience of them as a unit. You have a mother. You have a father. But you don’t have parents. It is hard to build a self on a cloud.

This is why finding the friends now who were part of that amorphous life is such a gift. The kids who spent summer afternoons sharing crab nets, who were castmates in high school productions like Guys and Dolls, who also worked on Cape Cod, are my witnesses, my proof-of-life that I existed. That I exist. That I came from somewhere.

I stop and look at Mr. Oliver again for encouragement. He never meets my eyes at this stage. But his silence means “go on.”

A boy who lived at the end of the road when I was a girl, where we biked and swam and built forts in the woods, has been in touch since I started writing this column. He just told me that when we were about 8 and 10, his mother found a note he had stuffed under his mattress upon which he’d written “I love Laura” about ten times. I was astonished to hear this and was smiling, of course. I would never have guessed that he liked me at all.

That’s what I think death itself will be like. A revelation of affection you never dreamed existed. Only it will be astonishing in magnitude and unconditional. I imagine that more than any other emotion, what you may feel first when you die is simply surprise.

Like you’ve found a note from the universe stuffed under the mattress. It’s been waiting to be found your entire life.

You pull it out, unfold it, and it says, not ten times but to the end of time:

 I love you, I love you, I love you.

 

Laura J. Oliver is an award-winning developmental book editor and writing coach who has taught writing at the University of Maryland and St. John’s College. She is the author of The Story Within (Penguin Random House). Co-creator of The Writing Intensive at St. John’s College, she is the recipient of a Maryland State Arts Council Individual Artist Award in Fiction, an Anne Arundel County Arts Council Literary Arts Award winner, a two-time Glimmer Train Short Fiction finalist, and her work has been nominated for a Pushcart Prize. Her website can be found here.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider, Archives, Laura

The Doctor is In By Laura Oliver

August 11, 2024 by Laura J. Oliver
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You may think that “The Story Within” (Penguin Random House) was my first book, but you would be wrong. So wrong.

My first book, 11 chapters long, was titled “Dr. Laura Pritchett’s Guide to Life.” I wrote it in support of my practice as a therapist, where I enjoyed giving advice to other people on their problems. I was 10. I still have this book. Feel free to contact me.

Sessions were a quarter. No one came. My office was the upstairs hallway. The price has gone up, but the office is still my upstairs hallway.

The book, tabloid-size manilla paper with the edges cut in order to leave staggered rectangular tabs for the chapter titles, began with a list of potential clients, each formally accounted for by first, middle, and (surprise!) the same last name, mine. They included my mother, my sister Andee, my sister Sharon, and our collie Beau, to whom I perversely assigned my own middle name, although he was a boy: Beau Jean Pritchett. I also included as clients “exclusive friends,” of which I had none and which were never identified, although apparently, one had a session, and my cat Clyde or Clide. I’d never seen his name written, so I listed him using both spellings for billing purposes.

A sampling of chapter titles included “God and Man,” “I’m So Mad I Could Scream,” “I Can’t Stand Her,” “Endless-Seeming Work,” “Love,” and “Life.”

Most useful in my practice today: “I’m So Mad I Could Scream.” The advice?
Have a good cry. Take a pillow and jump up and down on it. Comb your hair and wash your face. Play the piano to “take it out of your mind.” Walk outside by yourself, then play the piano again!

“I Can’t Stand Her” contained these gems: Think of the times you’ve felt sorry for her. If there are any, think of her good points. Think of the times (if any) she’s been nice to you. Be nice to her (if possible) and see how she acts. You may like her better then.

Not sure about my therapeutic model in “Endless-Seeming Work.” Clients were advised to “whistle and think of something gay, plan something fun for yourself, try to be neat” (?) and, this additional nugget of wisdom, “feel feminine.” Not sure how feeling feminine would make work fly by, and I’m pretty sure it screwed up Beau Jean, who was already having identity issues given his new name.

The chapter “Love” pretty much plagiarized the Golden Rule. Even at the age of 10, I knew when something couldn’t be improved upon.

For those with existential issues I referred to my opening chapter “God and Man,” where in fifth grade, I seem to have written out exactly what I believe now. The chapter began, “Man may someday conquer space and try to conquer God, but he will not succeed for he must always have some real but unknown answer to all he doesn’t know.”

Which I think was my fifth-grade way of saying life is a mystery you will never solve, try as you might, and this is a good thing.

But my closing chapter, “Life,” seemed to promote a certain self-righteous resignation: “Don’t try to find out what you have no need to. Don’t try to tear apart life and understand it. You’re better off just to live it.” I suspect I was channeling a mother stunned by her own experience and surviving on faith.

However, I no longer feel this way, and I hope I didn’t convey this complacency to my children. Learning is a creative energy, and what better means is there to honor creation itself than to admire the puzzle of it, to seek to learn its secrets, and to marvel at each revelation.

Have we ever learned anything about the making of the universe that did not leave us in awe? Are you sorry you’ve seen the star factory in Hubble’s Pillars of Creation or the Horsehead Nebula? That you know Uranus and Neptune once changed places in their orbits around the sun? That only Venus and Uranus rotate clockwise? That Uranus rotates backwards and on her side?

I wrote my manual as a kid before I had kids. Before I’d ever made a mistake. When the slate was clear. When I could have gone home with a “Welcome back, little camper! Well done!” And I have no idea how my children will remember me one day.

But I am reading a book titled, “Light” by Bruce Watson and the most moving thing in it so far is the dedication. It touches me because I’ve made so many mistakes in my life that there is no time or means to undo. But Bruce Watson, whose mother must surely have been imperfect too, opened his book with this:

“For my mother, whose interest in everything turned out to be the greatest gift.”

I imagine I would have liked Mrs. Watson, who clearly left a legacy of wonder. One which I suspect was fueled by her unconditional love of life itself.

Perhaps that is the synopsis of the life I will leave behind, but the last chapter is not yet written.

It’s my belief that we are evolving toward a happy ending.

The author is still editing the work.

 

 

 

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider, Archives, Laura

Spendthrift By Laura J. Oliver

August 4, 2024 by Laura J. Oliver
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I tend to stun myself with new knowledge and ponder the inexplicable, and both seem to be coming at a faster and faster pace. It’s as if I slept through the first decades of my life and awakened just in time to appreciate the gift before I’m required to give it back. (Thank you for letting me visit.) I’ve already given back to life all that I can and will inevitably leave behind that which I most treasure.

Three kids.

But I’ve taken to gobsmacking myself on facts you can only take in by contrast or simile. Like that an atom is comprised of so much empty space it is as if the nucleus is a pea in a football stadium. Which makes us primarily empty space. At our most fundamental level, we are vibrating energy acting in a field of energy. (Is that why you can feel me thinking about you?)

Or if a photon left the sun right this second and began traveling towards Earth at the speed most commercial jets fly, 500 miles per hour, it would take 21 years for that photon to reach the Earth. At the speed of light, that’s only 8 minutes and 20 seconds. Light never stops.

And apples appear red, yet the atoms that comprise them have no color. And if you and your partner were able to conceive every possible combination of eggs and sperm each could contribute, the result would be 7 trillion children, none of whom would be the same.

Has your brain imploded yet?

We have no evidence that fire exists anywhere except on Earth—not on any other planet in the solar system, anyway. Fire requires free oxygen, heat, and something combustible to burn. To date, we have only found those conditions on this planet—not even the sun qualifies as a source of fire. The sun is a glowing ball of gas. You are seeing hydrogen compressed into helium, which sets off the plumes of gas you think of as fire.

Which… thinking about a scorching ball of flaming gas, creating sweltering summers…brings me to my pondering of the inexplicable. Why for the love of God, in a house with no air conditioning, did my parents own only one fan?

 My parents’ aesthetic emphasized beauty and economy. No fake Christmas trees, no purchased birthday cakes or Halloween costumes. No fake flowers. Not fans of plastic or wastefulness. We reused tinfoil, bacon grease, string, paper bags, wrapping paper, ribbon, and eventually, tv dinner trays.

Sandboxes and swing sets were unsightly so they could certainly not be placed between the house and the view of the river but were tucked away in the side yard.

So, beauty and frugality ruled my childhood. But really. ONE fan? Was it just because buying two of anything was an untoward extravagance?

Mr. Oliver’s relatives were relatively well-off citizens of a small southern town. His great-uncle was mayor of Asheboro, North Carolina, and his grandfather was a state senator who was so concerned with appearing extravagant that when he decided to buy his wife a car, he bought one identical in make, model, color, and year to the car they already owned. As if that sneaky bit of business would keep them from being judged ostentatious.

But one fan? It was the size of a dinner plate and rotated. We had to carry it around the house and plug it in wherever we were—eating dinner, watching television—but the real problem was in going to sleep. As the youngest, I went to bed first, upstairs in the southwest corner of the house, where since noon, the descending sun had been heating up my robin’s-egg-blue bedroom with the circus-animal bedspread and the curtains with the ball fringe to a temperature at which you could bake brownies.

I was given the fan to help me nod off—which I tried to do as fast as possible, knowing my older sister was coming to claim it next. When I’d awake sweltering at 2 a.m. and realize she was asleep next door with the fan still purring, I’d lay there sweaty with the injustice of 30 minutes of fan versus the rest of the night and plot ways to sneak into her room to take it back. For the record, this was never, ever successful. The only thing that wakes one up faster than a noise is the sudden absence of a noise. Or the felonious presence of a sister in the dark.

My parents are dead, so there is no one to ask about this bizarre frugality. But when my mother was still alive and ordering dinner off the menu at her assisted living facility, on the evenings they served crabcakes (her favorite and a luxury in this household even now), it would kill me to see her check the entree choice and then write next to it, (2?? Please???). She might as well have drawn a picture of herself wringing her hands with the squeamishness of asking for extra.

It has taken me a whole lifetime to embrace abundance as holy, as permitted and smiled upon. I’m the little spendthrift who has bought more than one hose to water the pink petunias! One for the front yard and (holy cow!) a second for the back, when yes, I could just drag one hose around the house.

I believe consciousness is love, that it is the source of that vibrating energy, and that it is all that is real, ultimately. And on a fundamental level I feel we are all one. But here’s the thing about one versus two.

How do you know you are loved if there is no one to love you? Does love require a beloved? Does love need a recipient to exist?

Anita Moorjani says you’ll never get this until you understand that love is not an energy to pray to, aspire to, or please. You are love itself. All you have to do is recognize your true identity. Stop knocking on the door and realize you are the house.

This is just one more thing I find inexplicable. Because in my heart of hearts, I believe we come into this world wanting only to love and be loved.

And that, my beloved, requires two of us.

Laura J. Oliver is an award-winning developmental book editor and writing coach, who has taught writing at the University of Maryland and St. John’s College. She is the author of The Story Within (Penguin Random House). Co-creator of The Writing Intensive at St. John’s College, she is the recipient of a Maryland State Arts Council Individual Artist Award in Fiction, an Anne Arundel County Arts Council Literary Arts Award winner, a two-time Glimmer Train Short Fiction finalist, and her work has been nominated for a Pushcart Prize. Her website can be found here.

 

 

 

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What if This is True? By Laura J. Oliver

July 21, 2024 by Laura J. Oliver
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This is about pet peeves, of which my pet is not one. But squirrels are.

I don’t like being surprised by a load of wet laundry that’s been sitting in the washing machine for three days when I open it to start mine.

I don’t like the cable pull apparatus in the gym.

Ditto resistance bands.

Or when I say to my trainer, “You don’t actually have any clients who can touch the floor with this free weight from a squat, do you?” and he says with a sigh, “I guess you don’t know Lisa.”

And now I’m laughing too hard to stand up.

I know Lisa.

I don’t like having someone fake-look at the very cool thing I’m pointing out on a walk.

Dogs that smell like perfume.

Dressing rooms that smell like perfume.

Drivers who stop for really old pedestrians limping through in crosswalks. (Hahaha. Kidding! I see you’re paying attention.)

Salespeople at the mall forced by their employers to stand just at the entrance to their store waving samples of face cream as you try to speed by unnoticed on the other side of a kiosk. They call out things I can’t hear. Things that sound like, “Ma’am! Your face!” I feel for them, though. I once had an editor who made me cold call potential magazine subscribers. It was excruciating.

Generally speaking, don’t love the mall.

Or the volume of the previews at the movie theater there. We are not deaf. Until we leave.

And I kind of miss the days when you sat up normally to watch a movie and could hold hands and whisper to each other. Now it’s like everyone in the theater is lying down together, and it’s weirdly too intimate in some ways and not intimate enough in another.

People who remember things differently than I do and are totally wrong. And then right.

Fifteen-mile-an-hour speed limits. Really?

Kitchen cabinets that are hung at a height perfect for people over 6 feet tall, not for anyone woman-sized trying to reach the (useless) third shelf.

But there are a lot of things I do like.

I do like it when my neighbor, who is a surgeon, stops me as I’m walking past his car at sundown because he performed emergency surgery all last night, after working all the previous day, and after an hour’s sleep in the on-call room,  he has rolled straight into yet another full day of saving lives, and he’s just now getting home at 7:30 pm, but he’s still full of wonder that he was able to give a woman just like me, who had become abruptly and inexplicably paralyzed, the ability to walk again. Participating in a miracle is news you want to share. Even if the first opportunity to express your gratitude and incredulity is pressing it into a neighbor’s palm passing by on a hot sidewalk. I feel privileged it was me, that our paths crossed just as he was getting out of his car so I could be a witness to a marvel that started the day he applied to med school and just culminated last night in a Maryland operating room.

I like knowing that miracles are speeding toward you, right this second, that may take years to arrive—like light, like gravity waves.

Live in a state of anticipation. Assume help is on the way. (Compare this choice to its alternative.)

I like the fact that a woman walking up Lafayette Avenue this morning paused to tell me that a perfect stranger down in the park just went out of his way to be kind to her 12-year-old son. She’s wearing a wide-brimmed sunhat and yellow capris, and even across the street I can see she is beaming. I don’t know what the guy did, but she has tears in her eyes. “The world is so violent,” she says, “we are in such turmoil. I’m holding on to this kindness.”

“And sharing it,” I said with a smile. She nodded, pressed her hands to her heart, and moved on.

I do like learning stuff. (So, did you know that 96 percent of all the mammals on the planet are us? The remaining 4 % of mammals are where you have your lions and tigers and bears.)

Someone I admire is explaining quantum entanglement to me. He is talking about acceleration. He says, “blah, blah, blah,” followed by “zzzzz—zzzzz–zzzzz.”  I’m nodding as I sip a crisp Sauvignon Blanc, but I think I’ve already cracked the nut on the entanglement mystery.

(Yikes, he’s still talking, so I’ll tell you.)

There never were two particles on opposite sides of the universe.

There was only one.

There is no two of anything, not even a you and me.

In the fullness of time, there is only here, only now, only us.

Laura J. Oliver is an award-winning developmental book editor and writing coach, who has taught writing at the University of Maryland and St. John’s College. She is the author of The Story Within (Penguin Random House). Co-creator of The Writing Intensive at St. John’s College, she is the recipient of a Maryland State Arts Council Individual Artist Award in Fiction, an Anne Arundel County Arts Council Literary Arts Award winner, a two-time Glimmer Train Short Fiction finalist, and her work has been nominated for a Pushcart Prize. Her website can be found here.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider, Archives, Laura

No Proof Required by Laura J. Oliver

July 14, 2024 by Laura J. Oliver
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A warning light came on just as we merged onto the beltway, and I tried not to worry as I identified it. Low tire pressure. We were driving to a farm about 40 minutes north of home for a Sunflower Festival. I’ve put air in a tire by myself, but I have a kind of terror that I’m going to overfill the thing, and it will explode like a pressure cooker—which, let’s face it— is also scary with that jiggly thing on the top that you know is about to fly in your eye any second. 

I didn’t want to stop, so we didn’t stop. I’ve learned to compartmentalize. Put fear in a box, put sadness in a box, put confusion and warning lights in a box to set aside and examine later. 

We pulled into a soft, grassy field at the farm without the tire having gone flat or even looking low once we had parked and examined it, so I continued to compartmentalize my worry. Sunflowers now. Possible flat tire later. Palm smack to forehead, it just occurred to me that’s called living in the present. See why we write? We figure things out! 

Stick with me, beloveds. Stick with me. 

We checked in at the farm entrance and walked up the dirt road to a designated pick-up spot. I wore a dusky pink sundress (sunflowers! festival!), sandals and brimmed hat—it was warm, but there was a breeze. We stood under a small grove of locust trees laden low by sweet white blossoms along with a few other people waiting for the wooden hay wagon that was going to transport us out to the sunflower fields. Within a few minutes, we were seated on parallel wooden wagon benches behind a tractor that lurched so violently every time the driver changed gears, we involuntarily grabbed at each other—strangers saving strangers from going overboard in bumpy seas. 

The sun bounced off the road as we climbed the hilly green fields, and our tour guide recited the same spiel every time someone new climbed onboard. “Don’t dance in my aisles” (stay seated), and “I’m going to turn the air conditioning on,” which meant the air would start flowing when the tractor got underway again. I smiled every time he said these things because his jokes were so terrible, and his shirt needed ironing. I hoped he had had a good life and that somebody loved him.

But I felt really sorry for our guide once we had jostled our way up the rise to the fields because there were about 4 sunflowers per acre and none higher than my waist, their sunny faces peering out from overgrown weeds. Festival, my eye. Now I felt bad that he probably felt bad about taking our money. There were also a lot of black sunflowers. They looked very, very dead but the farmer assured us those sunflowers were supposed to be black—they’d been planted for color contrast.

 I bought this—I’m not known for my skepticism. 

When we got down to the farm store, barn, and animal pens, we had the opportunity to wander about the little village and cuddle calves—three in particular had this job assigned to them—Snap, Crackle, and Pop. This is a thing. You can hug newborn calves for health and well-being. Yours. I’ve watched their massive, impassive faces, and I don’t think it does much for them. Or you, in reality.

Get a dog.

Or a cat.

We walked (quickly) past the essential oils, the scented soaps, macramé plant hangers, and dream catchers which made me think of college and not in a particularly good way. Stoically committed to having fun, we went into the farm store to prove I wasn’t thinking about the tire. We browsed casually amidst the goat tea towels, jars of local honey, hand thrown pottery, and ice chests full of steaks—those calves don’t get cuddled forever, I guess. 

And although I tried not to, I was thinking…tea towel/tire, honey/tire, tire-tire. We ran for the wagon when we heard it return to catch a ride back to our car, which to my relief, was not listing heavily to one side.

To be safe, on the way out of town we stopped at the first gas station with an air pump, but it required a massive number of quarters. We stared at each other. Dug around in the console. Do they even make them anymore? We drove on, and the next place had a sign that pretty much said, “My goodness, people of the world, air is free, help yourself.” 

And I thought about that. Air is free, love is free, joy is free—everything else costs you.

I looked at my face in the visor mirror on the way home. I wondered if, in my attempt to compartmentalize anxiety, I have inadvertently compartmentalized joy—as in, I’ve put happiness in a box to take out later. When I’m safe from criticism or ridicule. Or at that imaginary moment at which everything is perfect.

Maybe I have attached happiness to a person or situation I could lose. Is that why it’s never safe to indulge? Because attachment-sourced happiness contains fear of loss? But who is not attached? My goodness, I’m attached to you. Why is it I think that if I look happy, I’m going to have to prove it is warranted? Or worse, that I deserve it?

I came back from the sunflower fields, reminded that there will always be unpredictable events we can’t control. Like a flat tire. We will never be safe from change.

Happiness is simply trust in the long game—a choice to believe that everything is working out perfectly—but on a cosmological scale you can’t comprehend– like the size of the universe. The speed of light. 

I have boxed up joy because its real source is too intimate. Too fragile to expose. It’s my personal conviction that loss, time, and separateness are instructive illusions. 

That unconditional love is the engine of creation, the power source of the universe. 

When all the stars have burned out, and the last atom has dissipated, love will remain.

And that makes me happy.

No proof required. 

Laura J. Oliver is an award-winning developmental book editor and writing coach, who has taught writing at the University of Maryland and St. John’s College. She is the author of The Story Within (Penguin Random House). Co-creator of The Writing Intensive at St. John’s College, she is the recipient of a Maryland State Arts Council Individual Artist Award in Fiction, an Anne Arundel County Arts Council Literary Arts Award winner, a two-time Glimmer Train Short Fiction finalist, and her work has been nominated for a Pushcart Prize. Her website can be found here.

 

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Filed Under: 1 Homepage Slider, Laura

The Coin of the Realm by Laura Oliver

June 30, 2024 by Laura J. Oliver
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There are so many things you do in innocence as a child that you can only hope you’re forgiven for once you realize what you’ve done. And by “you,” I mean “me,” and by “things,” I mean this.

My parents’ idea of a vacation, our respite from the river and woods when I was a child, was ocean camping at Cape Hatteras with another family. Fun! Our thick canvas tent weighed a bazillion pounds, was as hot as all get-out, and if you touched any part of it with a tentative finger when it rained, it formed an immediate leak. My father perfectly crafted wooden tent stakes in his workshop that had to be hammered into the sand with a pneumatic pile driver.

Sand infiltrated our sleeping bags, hairbrushes, and hotdogs; there was little to do. We cooked on a camp stove, sat around bonfires at night, roasted marshmallows, and made s’mores. The other mother insisted we put apple slices in our s’mores, which kind of wrecked them, but she was our minister’s wife, my piano teacher, and my sister’s Girl Scout leader, so we complied. We waved the occasional sparkler (my first experience with cool fire) and bobbed about in a cold ocean.

Highlights: I’d been given a rusty pocketknife, which I closed on my little finger while setting the picnic table for dinner. Seeing the line of red seeping from the wound, I instinctively stuck my hand in someone’s drinking glass. Blood curled like smoke in the water—it was quite interesting, almost artistic–but also gross. This was to be a theme of this year’s vacation. The gross and the intriguing. (Like apples in your s’mores.)

The other family had 3 kids, just like my family, and one of their sons was also about 7 years old at the time. Danny and I made a restaurant on the beach out of mounded-up sand, offering seaweed and dead crab shell delicacies to accommodating adults. Tired of that by the third day, we decided to spend the morning exploring further down the windswept beach.

As we crossed the dirt road to the dunes, we passed a Cape Hatteras sanitation truck and a young man, no more than 20, emptying sewer from the Porta-Potties. A huge black hose was stuck inside one, the truck engine humming as the outhouse contents were pumped to the tanker for removal. This young man was probably pretty unhappy with his career choice at that point and on a short fuse. But, to me, he was an adult. As we walked past on the other side of the road, I smiled at him to be polite, but instead of smiling back, he glared at me and yelled, “Hey, kid! How’d you like to suck this up with a straw?”

I was horrified.

First, at his suggestion. (Was I supposed to answer? He was, after all, a grown-up with some authority.) And secondly, I most certainly would not like to suck that up with a straw. It was, in fact, a gag-worthy proposition. But would that be rude to indicate? Mostly, I was horrified that he’d called me “kid.” He might as well have called me “Bub.” The question felt like an assault, and like all subtle violence, it left an indelible impression. What you say to a child is what you do to a child.

I think I shook my head, murmured no thank you, and took back my smile. Danny and I hurried on over the dunes to the shoreline, where the outgoing tide boomed and rushed up the incline of the beach, then shushed in submission as the waves lost purchase and slid back into the ocean’s embrace.

Our parents had established a kind of daily encampment on the beach with brightly colored towels, chairs, and perhaps an umbrella. We stretched a beach towel between us like a hammock so that we could collect shells in it and struck off without telling anyone.

The tide had left a ribbon of mostly broken shells lacing the beach until an hour into our walk, we spotted a perfectly whole sand dollar. Excited, we stopped and started digging in the wet sand, and within a few minutes, we had dug up maybe a dozen more. We put our treasure in our towel and meandered on—our family’s beach chairs long forgotten and out of sight.

Sometime in the midafternoon, a breathless Park Ranger found us miles down the shoreline, still walking with our bounty, completely unaware our panicked parents thought we had drowned.

When we got back, I showed Danny’s mother the sand dollars, which were flawless but the color of tent canvas. She told me to bleach them in the sun on the picnic table. I carefully laid them out, and over the next several days, they whitened. What I didn’t know until later was that they had mostly likely been alive, and I was slowly killing them. I was appalled when I learned what I’d done.

I’m so sorry, sand dollars. I had no idea. Are any of us surprised I still feel bad about this?

Danny’s mother told me that the five slits in each sand dollar represent the wounds of Christ, and the flower pattern in the middle is the star of Bethlehem. If I broke one open, she said, I would find little doves inside, and by releasing the doves, I’d release goodwill and peace in the world.

And Danny’s mother was right. There were indeed doves inside.

How many things die in the service of beauty? If there is goodwill to be released in the world, I hope it is the goodwill of forgiveness for this and so much more.

There is another legend that says sand dollars are the coins of mermaids. And another that claims they are the coinage of lost Atlantis.

If sand dollars are currency, let me buy back every mistake I’ve ever made. Heal every child to whom I ever said a harsh, impatient, or thoughtless comment. Let me ransom joy from regret and spread the wealth of kindness throughout the world.

May love be the coin of the realm.

******

 

 

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Confessions, a Theme by Laura J. Oliver

June 23, 2024 by Laura J. Oliver
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There are things I’d rather not admit to, but full disclosure will make us closer, so here goes.

I don’t understand the logic of washing your hands in a public restroom if you have to touch the faucet handle when you’re done.

I sometimes speak very harshly to Alexa, my interactive voice assistant. When she doesn’t answer fast enough or hears incorrectly, I talk to her as if she is very, very stupid and it feels really, really good.

I often advise friends who have missed a television show to “just stream it.” I have no idea what that means.

Thirty years ago, I took a course in “Transcendental Meditation.” Five years ago, I broke down and told someone my secret word. It was her word, too. Turns out it’s everyone’s word.

I believe I can make stoplights turn green faster with my mind.

Can to.

I understand what tidally locked means, yet I still don’t totally comprehend how it happens that the same side of the moon is always facing the earth. (Don’t tell me. I’ve already stopped listening.)

There is a website called thispersondoesnotexist.com in which AI creates faces that look totally real but are not. It’s only a matter of time before a client presents me with a story about a woman who logs on and sees her face there. I’ll wish I had written it.

It took years for me to learn to redirect a conversation to the other person. I found my own life so interesting it just didn’t occur to me to stop telling stories and ask about my companion. I know, I know. I can’t believe it either. (How are you doing?)

I tell the dog I love her and smother her with kisses while she yawns (dog language for “I’m not digging this”), but I don’t walk her in the rain or when I’m tired, I just let her out in the backyard and hope she runs around a lot.

I pray for my writing clients every single day—right after being grateful for them. This includes current and former clients I should have long forgotten by now. I think they would be shocked to know this.

When Mr. Oliver wants to make me laugh, he talks in the dog’s voice—it is high-pitched and breathy. It was my last dog’s voice as well. Oddly enough, it’s my son’s dog’s voice, too. No matter how distracted or annoyed I am, this cracks me up every time. Turns out dogs are hilarious.

If a doctor leaves me waiting in the exam room long enough, like a really really long time, I’ll climb down off the table and look in the drawers.

Sometimes, I’m just so sad, my heart is so heavy, I feel so misinterpreted, I just want to go home. Not home to my house, home-home. But I’ll wait till someone comes for me.

The city has put a really obnoxious parking sign smack in front of my house. Then, the city added a gigantic yellow bicycle symbol on the pole. Then they tacked on “share the road.” I have been contemplating digging it up and throwing it in the creek. At night, disguised. You can apparently go to jail for this. So, if it “goes missing” (air quotes), it most certainly wasn’t me.

When I go to lunch with friends and we split the bill, I don’t know why they ask me, “how much are we tipping?” I’m tipping 20%. You can tip whatever you want. One of my best friends doesn’t ask. She just always tips 100 % because she’s a better person than I am.

Until today, I thought my blood type, O-positive, was the universal blood donor. I just learned it’s O-negative, and I somehow feel like I have a gift I can’t give now.

Sometimes, I wish someone would adopt me. I miss my mother.

I just took my dog for a trial play date at a new kennel where I hope to be able to board her. I told her to play well with others and be kind. But I was actually talking to the two girls who led her away.

When I pray, I can’t get the words “thank you” out before a request slips in. “Thank you, and please.” Followed by “help.” It’s really difficult for me to tease apart what I am grateful for and what I long for.

But today, it is easy. I’m grateful for you.

Laura J. Oliver is an award-winning developmental book editor and writing coach who has taught writing at the University of Maryland and St. John’s College. She is the author of The Story Within (Penguin Random House). Co-creator of The Writing Intensive at St. John’s College, she is the recipient of a Maryland State Arts Council Individual Artist Award in Fiction, an Anne Arundel County Arts Council Literary Arts Award winner, a two-time Glimmer Train Short Fiction finalist, and her work has been nominated for a Pushcart Prize. Her website can be found here.

 

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider, Laura

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