This morning, when The Last Train to Clarksville by The Monkees came on Pandora, a flood of memories came rushing back from the days of my Monkees obsession.
In July of 1967, my younger brother and I spent a month with my aunt, splitting our time between Boston, Biddeford Pool in Maine, and New York City. While in Boston, my aunt and uncle surprised us with tickets to see The Monkees in concert at the Boston Garden, a dream come true for my eleven-year-old self.
My grandmother, ever elegant, insisted that I be properly dressed for such an important occasion. She took me to Jordan Marsh, where I chose a babydoll-style dress with tiny puffed sleeves, designed by Betsey Johnson long before she became the iconic name she is today. With shiny new shoes to match, I felt like the most glamorous fan in the world, ready for the biggest night of my young life.
That same summer, The Jimi Hendrix Experience had briefly been added to The Monkees’ U.S. tour. Fresh from his electrifying debut at the Monterey Pop Festival just weeks before, Hendrix seemed an odd match for a band adored by preteens. Night after night, Hendrix endured waves of boos and shouts for Davy Jones. The mismatch became clear, and by July 17, 1967, Hendrix left the tour. Newspapers spun the story, claiming groups like the Daughters of the American Revolution had banned him for being “too erotic” for the Monkees’ young audience. The truth was simpler, two very different worlds had collided, and neither one belonged on the other’s stage.
When I took my seat at the Boston Garden on July 22, Hendrix was already gone. At eleven, I wouldn’t have understood his music anyway, but how I wish now that I could say I’d seen him perform that night. Instead, I squealed with delight as my idols, The Monkees, took the stage. For me, it was pure magic, music, youth, and the thrill of being part of something bigger than myself.
Looking back, it was one of those moments that defined an era: a girl in her Betsey Johnson dress, clutching childhood dreams in a world where pop idols and rock revolutionaries were, for a brief and strange time, part of the same story.
Kate Emery General is a retired chef/restaurant owner who was born and raised in Casper, Wyoming. Kate loves her grandchildren, knitting, and watercolor painting. Kate and her husband, Matt are longtime residents of Cambridge’s West End where they enjoy swimming and bicycling.
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